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Montego Bay Hosting a Showcase of 17 Talented Artists in Due West Exhibition

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BY: SERENA GRANT     

 

Montego Bay, April 22, 2025 – Members of the public can now view the works of 17 of western Jamaica’s talented artists, which are on display in the Due West Exhibition in Montego Bay, St. James.

The pieces, showcased at National Gallery West, include ceramics, paintings, photography, printmaking, and fibre arts, among others. They were created using a diverse range of materials.

The themes largely centre on the environment, relationships and portraiture (portraits).

The exhibition, which runs until August, was formally opened on April 13 with a reception at the gallery, just ahead of World Art Day, observed on April 15.

Among the guests in attendance was Mayor of Montego Bay, Councillor Richard Vernon, who emphasised the significance of art as a means of self-expression, “especially when we are trying to promote our culture”.

“[Art] is an active means of getting our inner expression outside and to get the world to engage with what we see, how we live and our own experience; people express the Jamaican culture in different ways, especially through art,” he told JIS News.

Councillor Vernon also highlighted the significance of the exhibition being mounted at Gallery West.

“This is a location that we are trying to promote. We want to have persons come in… each day when we have the different… exhibitions happening. [When we have] tourists visiting our city centre, they can come and experience that as well,” he stated.

For his part, Chief Curator at the National Gallery of Jamaica, O’Neil Lawrence, told JIS News that the Due West exhibition was initially held in 2019 and then in 2020.

However, he said the COVID-19 pandemic, along with other challenges, disrupted plans for further exhibitions.

Mr. Lawrence emphasised the importance that the Gallery’s management placed on the exhibitions.

“It’s going to be our flagship [event], because we really believe in creating a platform for western Jamaica. There are a lot of artists who come out of western Jamaica. I think some of the leading artists coming out of Jamaica came from this region,” he pointed out.

Mr. Lawrence highlighted the late, highly acclaimed painter, Barrington Watson, as a notable figure, adding that artists from western Jamaica continue to gain prominence both locally and globally.

He urged artists to begin preparing their submissions for future Due West exhibitions. Eligible pieces must be created within the last three years, and artworks will be available for purchase directly from the artists after the exhibition concludes.

Assistant Curator at National Gallery West, Monique Gilpin, noted that the call for submissions for Due West 2025 was issued last November.

Some 40 submissions were received by the Gallery’s selection committee, of which 17 were shortlisted.

Ms. Gilpin advised that a People’s Choice Award is being incorporated this year, which will allow patrons to vote for their favourite display or artist, based on the pieces exhibited,

To vote, persons can either scan the QR codes on the labels of various artworks or use ballot boxes at the gallery.

“The artist with the most votes at the end of the exhibition… will receive a cash prize of $250,000. It is a part of our initiative to continue to support emerging and professional artists within the region as it is something that is necessary, as there are not that many platforms of this nature that support artists from western Jamaica,” Ms. Gilpin stated.

Artist, Brighton Brown, who is showcasing a printmaking piece in the exhibition, expressed gratitude for the opportunity to participate and encouraged fellow artists in western Jamaica to strive to be a part of the next staging.

He also encouraged them to identify alternative media to showcase their work.

“You must be steadfast in looking out for opportunities… you don’t always have to rely on a gallery. You can also put on your own show. They can also showcase their work online, bringing their works to different places, showing people what they can do and trying to network with others, or look to the overseas markets as well,” Mr. Brown said.

For his part, Montego Bay businessman, Lloyd B. Smith, who was a patron at the opening reception, said the exhibition is “an excellent idea”                                                                                                                                                            “For too long, artists in the west have had to just pander their wares to the tourism industry, hoping to make a few bucks without getting the necessary recognition from the community at large. I think that this exposure is the right direction, because it elevates our talents to certain levels of excellence and distinction. I hope that this will be a regular affair so that the artists can get their work sufficiently exposed and, in the long run, benefit from the experience,” he underscored.

Mr. Smith noted that artists in western Jamaica continue to journey to Kingston in order to gain recognition, which he said is unfortunate.

“I think Due West is showing us that our artists in the west are talented. They have creativity, they have a right to be here and we have to give them the support on an ongoing basis so that their works will become part and parcel of the overall creative arts experience in the country and not just in Montego Bay,” he stated.

World Art Day was observed this year under the theme ‘A Garden of Expression: Cultivating Community through Art’.

 

CAPTIONS:

Header: Mayor of Montego Bay, Councillor Richard Vernon (second left), converses with (from left) Chief Curator, National Gallery Jamaica, O’Neil Lawrence; artist, David Pinto, and Chairman, Montego Bay Arts Council, Josef Forstmayr. The occasion was the opening reception for the Due West exhibition at National Gallery West at the Montego Bay Culture Centre in St. James on April 13.

1st insert: Several patrons view artwork during the opening reception of the Due West exhibition at National Gallery West at the Montego Bay Culture Centre in St. James on April 13). The exhibition runs until August.

Serena Grant Photos

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Due West Exhibition Flyer

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Team Trinidad & Tobago Makes Waves with Historic CARIFTA Aquatics Performance

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April 14, 2026 – Team Trinidad and Tobago delivered one of the most commanding performances at the 2026 CARIFTA Aquatics Championships, finishing third overall in swimming and second in athletics, signaling a powerful resurgence on the regional stage.

Competing in Martinique, the swim team amassed an impressive 747 points and 59 medals—20 gold, 19 silver and 20 bronze—in what officials are calling a historic showing. The result marks a significant step forward from previous years, reinforcing the country’s growing strength across disciplines and age groups.

Standout performances came from a deep and talented squad. Zahara Anthony led the charge with 72 points, dominating the Girls 11–12 division across freestyle, butterfly and individual medley events. Liam Carrington followed closely with 69 points, delivering a near-flawless campaign in the Boys 15–17 category, while Marena Martinez, Xaiden Valentine and Serenity Pantin added critical points with consistent podium finishes.

The team’s strength was not limited to individual brilliance. Athletes like Micah Alexander, Ethan McMillan-Cole and Jaden Mills showcased versatility and depth, while relay contributions from swimmers including Julius Ennals and Anpherne Bernard helped secure the team’s overall standing.

The performance drew high praise from the Ministry of Sport and Youth Affairs in Trinidad and Tobago, which welcomed the team home in celebration of what was described as a defining moment for the programme.

Minister Phillip Watts noted, “This success is not accidental. It is the result of hard work, structure, vision, and belief. Our young athletes are proving that Trinidad and Tobago is rising again.”

He added that every performance sent a clear message across the region that the country is “not standing still… we are moving forward.”

The showing in Martinique underscores the impact of sustained investment in youth development, coaching and systems, with Team TTO emerging as one of the most complete and competitive squads at CARIFTA 2026.

With momentum now firmly on their side, Trinidad and Tobago’s swimmers are not just competing—they are setting the pace for the future of Caribbean aquatics.

Developed by Deandrea Hamilton • with ChatGPT (AI) • edited by Magnetic Media.

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Mottley Celebrates CARIFTA Champions After Stunning Relay Upset

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Barbados, April 14, 2026 – Barbados’ Prime Minister Mia Mottley rolled out a hero’s welcome for the island’s CARIFTA athletes, celebrating a team that delivered one of the most talked-about moments of the 2026 championships.

At a reception held at Ilaro Court, Mottley met with the returning team, including the country’s Under-20 men’s 4x400m relay squad—Kyle Gale, Demario Prince, Akeem Sirjue and Jamar Marshall—whose electrifying performance at the Kirani James National Stadium stunned regional powerhouses.

The Barbadian quartet surged to gold in a dramatic finish, toppling both The Bahamas—long dominant in the event—and Jamaica, whose athletes have historically controlled the CARIFTA track scene with decades of relay success.

The victory capped a high-energy night and is already being described as a defining moment for Barbadian athletics.

Speaking after the team’s return, Mottley underscored the national pride sparked by the athletes’ achievements.

“This afternoon filled me with pride. To welcome our CARIFTA athletes to Ilaro Court, to see their smiles, feel their joy and thank them personally for what they have done for Barbados, was deeply special,” she said.

The Prime Minister also announced a $1 million investment to support athlete development, including enhancements to sporting infrastructure, sports science, nutrition and training systems.

“Our young people are soaring already. Barbados must now make sure they have every tool to go even higher,” Mottley added.

The reception signaled not just celebration, but commitment—positioning Barbados to build on a breakthrough moment that has shifted the regional athletics conversation.

Angle by Deandrea Hamilton. Built with ChatGPT (AI). Magnetic Media — CAPTURING LIFE.

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Fighting the fungus foe of the beloved banana

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How Venezuelan farmers are learning to grow and live with a devastating plant disease

 

In the fields of Venezuela, where the banana has been for generations a symbol of sustenance and tradition, a shadow fell across the land. In 2023, Venezuela’s National Institute of Integral Agricultural Health (INSAI) declared a phytosanitary emergency: the fungus Fusarium Tropical Race 4 (TR4) (Fusarium oxysporum f. sp. cubense tropical race 4; syn. Fusarium odoratissimum) had arrived in producing areas in the states of Aragua, Carabobo and Cojedes.

This fungus, considered a devastating disease of banana and plantain (Musaceae) trees, can remain in the soil for more than two decades, threatening production and the lives of those who depend on it.

In the state of Aragua in the north of the country, the Renacer community had been growing bananas and plantains on 20 hectares since 2018. Then Fusarium arrived.

“When the disease hit, the entire plantation began to deteriorate. We refused to ‘die’ with the trees because that was our livelihood. The visits of INSAI confirmed that we had to chop down the banana trees. I cried a lot because I had worked with my banana trees for years,” recalls woman farmer, Lesbia Margarita García, with a broken voice.

In response, INSAI implemented measures to eliminate the affected plantations and improve the soil health by changing to other crops that allow agricultural production to recover. The Food and Agriculture Organization of the United Nations (FAO) offered assistance by providing corn seeds, tools, biosecurity inputs and training, with teams of experts helping farmers to start again.

“Planting corn, thanks to the INSAI-FAO programme, gave us a harvest that benefited everyone. We have been improving the soil,” says Lesbia Margarita with a smile. “Now we rotate crops, observe soil health and have learned how to use natural fertilizers. Expert assistance has been key.”

The pilot project works directly with affected producers in high-risk areas, promoting alternative crops such as cereals and vegetables, delivering inputs and tools to mitigate damage and applying biosecurity measures for safe and effective containment.

“Beyond the corn received, we have already planted cassava, chili peppers, beans and pumpkin. We hope that by the end of the year [2025] we will be diversified and that each season we will have something to sell. These lands do not give up,” says Lesbia Margarita with conviction.

The Renacer community is beginning to see fruits. Their products are reaching local markets, generating income and rebuilding their livelihoods.

Key actions to manage Fusarium TR4 are ongoing, including regular monitoring, continuous training, inter‑institutional coordination, updates to the national plan, information campaigns and producer impact assessments. INSAI is sustaining regulatory, surveillance measures and training —with FAO support—as part of a comprehensive long‑term strategy.

At the global level, FAO supports awareness raising, capacity building and international collaboration in the fight against Fusarium TR4 by facilitating the World Banana Forum and its Global Network on TR4.

“The objective is for countries to strengthen their operational and technical capacity, articulating actions between the public sector, the private sector and family farmers,” says Raixa Llauger, FAO Agriculture Officer in Mesoamerica. “FAO and local partners have promoted this approach in Venezuela.”

As an essential part of the activities, a comprehensive training programme was developed with activities that taught farmers how to identify the disease contain it and protect crops. In addition, FAO has distributed laboratory equipment, biosecurity tools and a multispectral drone to INSAI. Drones are an efficient and cost‑effective tool for phytosanitary surveillance, offering rapid, high‑resolution monitoring and early detection of plant pests and diseases.

Overall, the project strengthened biosecurity measures against the Fusarium fungus through the adoption of the National Action Plan and the establishment of partnerships with national and international institutions. In addition, the pilot initiative supporting smallholder farmers in key production areas and a nationwide awareness campaign with broad outreach improved surveillance, diagnosis and phytosanitary response capacities across the country.

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