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Coming Home, Local Exumian becomes First Artist-in-Residence at Big Sampson Cay

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By Paula Welch

 

Big Sampson Cay, Exuma — In the super-charged reality we call our daily lives, few things — and fewer places — still have the capacity to take our breath away.

One of those is a near hidden gem that lies in the heart of The Bahamas and this week, a local artist had an opportunity to capture it as the island’s first artist-in-residence. His name is Emmanuel Clarke and for the better part of five days he worked alone on the relatively undeveloped island called Big Sampson Cay, his brush strokes on canvas creating a permanent repository of the blues and greens of the waters and land around him.

The idea of an artist-in-residence program originated with Bob and Jeanne Coughlin, second homeowners in Exuma and the developers of a planned $50 million retreat on Big Sampson.

“Many may not be aware, but those who have crossed the path of Bob Coughlin understand he has an unwavering desire to see natural beauty preserved,” explained Eric Carey, former executive director of the Bahamas National Trust. “As residents of the Bahamas the Coughlins have been doing whatever they can to support and help in every way possible with a variety of organizations, including BNT, Trust, Friends of Exuma, Run for Pompey, Tour de Turquoise.”

Tour de Turquoise, the cycling event, raised more than $100,000 for Exuma causes.

Coughlin is the co-founder and president of Friends of Exuma, a 501C3 foundation that provides a means for ex-pats to donate to worthwhile causes and programs in Exuma from scholarships to environmental and cultural preservation. Its major donations to sailing have uplifted the new national sport in the islands where the native sloop regatta was born.

It was at a Paint ‘n Sip event through the Arts Network and Friends of Exuma that the Coughlins first met Clarke. They shared stories of their love for the Exumas, the Coughlins purchased a painting and shared their vision for the gentle footprint, eco-development on Big Sampson Cay.

For Clarke, that accidental meeting was fortuitous. While his family is from Little Exuma, part of his family resided in the U.S. and he spent much of his youth abroad, attending high school in the U.S., college in Chicago area and continuing a post-graduate university program in France.

“The frigid cold, the exact opposite of warm sand, crystal oceans and our beautiful eco-system,” he lamented. “The Bahamas and Exuma kept calling me back. This is my home’.

When he returned, he was determined to corral his training and his travels into capturing on canvas the majesty of the land of his birth.

“I was one of the lucky people,” he says. “I always knew what I wanted to do from an early age. I just wanted to design and paint and there is no place more beautiful than right here at home in the Exumas.”

As conversations continued between the artist and what would become the patron of his first residency, the idea was born.

“Let’s have artists take turns, come stay on the island, use this great slice of heaven on earth and allow that to be the muse for one’s talent. This would be such a cool and interesting way to share this with people that will be coming to this retreat, to see the art, be a part of it being created and share it so these works of art will make it around the world as people’s prized possessions as they recount the most peaceful place on earth they’ve ever been,” said Coughlin.

Clarke was invited to the island with little advice other than ‘paint to your heart’s content.’

He admits the thought of it was “a little scary’ but once he was on Big Sampson, a boat ride of more than 60 miles across the chain of 365 islands and cays, he was so inspired his energy just took over.

“I felt alive in every way,” he smiled.

“Picture this, he says, “I would take a walk along the beach at sunrise, explore spots I’d like to set up and study that area to start, eat some breakfast, I would set myself up – paint, easel, canvas, sometimes just start sketching, but always in a place where I could look in all directions and experience all the surroundings. Then in-between I would go diving in the ocean, go fish off the rocks, eat berries. Space and peace continuously leave room for creativity. It is never ending.”

As his last day of painting on the Big Sampson Cay was wrapping up, he said there was not enough time to paint all he could see. “It was an honour to be the first artist-in-residence at Big Sampson Cay,” he said. “It will provide even more inspiration for artists of every age in the Exuma Arts Network and its camps. When the retreat is built, hopefully, we will be able to bring artists on a regular basis. This is like God’s canvas and I am glad it is going to be protected by someone who has the vision.”

To get involved or learn more about Arts Network: https://exumafriends.org/exuma-arts-network; and insta: @exumaartsnetwork

To find Pratt-Smith’s art and to see more about him please go to his insta: @emmanuelaopc

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Bahama Brass Band Invitation Sparks Heritage Debate Ahead of TCI Constitutional Holiday

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Turks and Caicos, August 20, 2026 – The planned participation of the Bahama Brass Band in the Turks and Caicos Islands’ inaugural Constitutional Holiday celebrations on August 30 has sparked public debate over culture, heritage and the historical contributions of Turks and Caicos Islanders abroad.

Organizers defended the invitation, saying the band’s inclusion is intended to highlight the deep historical ties between the two countries and honor Turks and Caicos men who helped establish and develop the institution in Grand Bahama.

According to the organizers, the Bahama Brass Band began in 1955 in Pine Ridge, Freeport, with Turks and Caicos Islanders, including the late Deacon Reuben Hall Sr. of Middle Caicos and Jenkins Williams and Mervin Hendfield of North Caicos, among those who helped build its foundation. The band eventually grew to more than 50 men.

The organizers also pointed to the participation of Turks and Caicos men in The Bahamas’ Independence celebrations on July 10, 1973, arguing that their contributions became part of Bahamian history while maintaining strong connections to their homeland.

Supporters say bringing the band home represents an opportunity to honor those pioneers, showcase their regional influence and expose younger generations to an important part of Turks and Caicos history.

However, concerns raised publicly described the invitation as potentially disrespectful to local culture and heritage. Organizers acknowledged those concerns, apologizing to anyone who felt overlooked or offended, while maintaining that no disrespect was intended.

The committee said the event should ultimately unite rather than divide, presenting the band’s history as evidence of the reach and resilience of Turks and Caicos heritage.

PHOTO CREDIT: Bahamas Brass Band

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CBC Supports Opportunities for Young Bahamian Basketball Players

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NASSAU, Bahamas — Caribbean Bottling Company (CBC), local producers of Dasani products, proudly sponsored the fifth annual, Caribbean Hoopfest.

The tournament brings together Bahamian high school basketball teams and visiting teams from the United States for a competitive showcase at the Kendal G. L. Isaacs Gymnasium.  Following its inaugural year at the Kendal G. L. Isaacs gym and last year’s event at Loyola Hall, the tournament returned to the Kendal G. L. Isaacs gym this year.

During the weekend tournament, CBC kept athletes well hydrated with in-kind donations of Dasani Water, Powerade and Minute Maid Juices.

During the tournament’s final day, CBC provided additional support by offering Sprite No Sugar samples and inviting attendees to participate in its Spin the Wheel for a chance to win exciting prizes.

CBC was proud to support this incredible event, which provides young Bahamian athletes with valuable exposure to U.S. basketball scouts and coaches. This opportunity gives them the chance to earn scholarships, continue their education, and pursue their basketball careers in the United States.

Event organizer, Donald Francois shared his appreciation for CBC’s support.

“I want to express our sincere appreciation for Caribbean Bottling Company, who has been a tremendous supporter and an important part of the success of our program. Without CBC’s support, Caribbean Hoop Fest would not be able to function at the level it does today. And without Caribbean Hoop Fest, we would not have been able to provide the opportunities that have helped young Bahamian athletes gain exposure and pursue educational opportunities in the United States,” he expressed.

Since the program’s inception, several Bahamian student-athletes have been selected for scholarship opportunities, highlighting the tournament’s growing impact on the development and advancement of young basketball talent in The Bahamas.

They are: Kelvin McDowells – Guard, Wodson Antoine – Power Forward, Justin Lafleur – Guard and Sean John – Guard.

After another successful edition of the tournament, Francois shared what he hopes he and Caribbean Bottling Company can achieve in the future.

“Our vision is bigger than basketball. We want to use the platform of Caribbean Hoop Fest to educate, develop, and create opportunities for young people and their families throughout the Bahamas. With individuals and organizations committed to our mission, we believe we can continue to grow the program and make an even greater impact,” Francois said.

For more details on community support, events and new products visit Caribbean Bottling Company at www.cbcbahamas.com today.

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More Bahamians Accessing HIV, STI Care Through NHI

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NASSAU, Bahamas — More Bahamians are accessing HIV and sexually transmitted infection-related healthcare through National Health Insurance, a trend the NHI Authority says should be viewed positively.

NHIA stressed in an August 6 statement that its 2025 figures measure healthcare utilisation, not newly diagnosed infections. They include beneficiaries screened, treated, monitored or receiving follow-up care, including people diagnosed previously.

“Increased utilisation of these services should be viewed as a positive development,” NHIA said.

The Authority pointed to “greater enrolment and use of NHI, improved access to screening and testing, continued treatment and monitoring of existing conditions, and increased willingness to seek medical care.”

The development comes amid a mixed three-year HIV picture. New diagnoses rose from 130 in 2023 to 156 in 2024, before declining to 142 in 2025.

NHIA said increased utilisation demonstrates that more beneficiaries are accessing needed healthcare and actively managing their health, reinforcing the importance of screening, early diagnosis and continued treatment.

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